| MAGIC
FLUTES, by Eva Ibbotson
Tessa, the last of the House of Pfaffenstein; a descendant of
Charlemagne; raised in a grand castle; her friends, family and
acquaintances princes, archduchesses and barons(her cousin Pippi is
Pope) has fallen on hard times and left Schloss Pfaffenstein to Serve
Art in Vienna as the under wardrobe mistress in a third-rate opera
company full of comical characters. There's the director who is just a
step ahead of the bailiffs; his soprano wife who is past her prime; the
conductor who has been writing a symphonic masterpiece...for years.
Then there are the opera dancers...
Guy Farne, unworthy former foundling from Newcastle-on-Tyne, once
wooed and lost a young lady whose aunt was an Honorable. Now that the
lady is a widow Guy decides to woo her once again and begins by
re-creating the venue in which they met – the Vienna Opera. Enter our
third-rate opera company and Schloss Pfaffenstein which Guy,
having made his fortune in South American mining thereby becoming
Worthy, has just bought.
This story of loves lost and found in the most unlikely places is
sweet and sentimental but neither silly nor boring. Ibbotson brings to
it a broad knowledge and love of music and undeniably charming story
telling skills. A gentle read.
THE DEVIL IN
MUSIC, by Kate Ross
If you like Regency Novels, music, convoluted mysteries, and/or lush
depiction of setting this one’s for you. Regency dandy Julian Kestrel
has successfully tried his hand at sleuthing in England. Now that he is
traveling the Continent he reads of the four-year-old murder, recently
uncovered, of someone he used to know so he goes to Milan to investigate
- whether anyone wants him to or not. Hm-m-m, hadn’t Kestral appeared
on the British Social Scene about four years previously?
The reader is introduced to the world of Italian opera, including the
life and loves of a Castrato.
Ross only wrote four books, all of them about Kestrel, before she
died of cancer at far too young an age. In this one she answers
questions about Kestrel’s origins.
SONG
FOR THE BASILISK, Patricia McKillip
McKillip is simply one of the best writers of fantasy I know. In Song
she writes of the power of music to make us forget and to make us
remember; to heal and to kill.
Rook remembers little of his past save for faint memories of fire and
smoke. Taken in by the bards of Luly, he attends their school of music,
marries and begets a child. He is prepared to live happily ever after
until his past, in the form of the House of the Basilisk, reaches out to
haunt him. |